日本語
This is the official website of Kobayashi Hake Manufacturing. We craft and sell brushes for mounting (hyogu), painting restoration, fine art, and more.
Hake
Brush
Home
About Us
History of Hake Brushes
Manufacturing Process
Mounting Brushes
(Paste, kiritsugi, nakanori,
and shigoki brushes)
Painting & Restoration Brushes
(Nihonga coloring brushes
kara-bake blending brushes
oil painting ground brushes)
Bookbinding Brushes
Confectionery Brushes
Contact

Workshop

5-7-5 Fujisaki, Narashino-shi, Chiba
TEL:047-472-3431
FAX:047-476-5202

Manufacturing Process

Here we introduce the manufacturing process behind our paste brushes.
Brush making: sorting 1. Sorting
  • The raw hair is sorted by quality, grade, and intended use.
  • This sorting step determines the final quality, making it one of the most important stages in the process.
Brush making: boiling 2. Boiling
  • The sorted hair is tightly bundled and boiled in a large kettle to straighten out any curl and remove natural oils.
Brush making: tip alignment 3. Tip Alignment
  • The tips of the hair are carefully aligned with a comb.
  • The hair is then separated into bundles of long and short lengths, and the root ends are trimmed so each bundle is a uniform length.
Brush making: blending 4. Blending
  • Depending on the intended use, different types of hair are combined and blended together using a comb.
  • Because the hair must be blended evenly, this is a time-consuming step.
Brush making: pressing 5. Heat Pressing
  • The hair is pressed between a heated iron to straighten it.
  • This causes any remaining oil in the hair to rise to the surface.
Brush making: ash rubbing 6. Ash Rubbing
  • The remaining oil is worked out of the hair by rubbing it thoroughly with ash made from burnt rice husks.
  • This step also helps the hair settle together, making later stages easier to work.
Brush making: removing stray hairs 7. Removing Stray Hairs
  • Any reversed hairs or hairs without a proper tip are removed with a small knife.
  • This step is very important — it ensures the tips line up neatly when paste is applied.
Brush making: setting into the board (1)
Brush making: setting into the board (2) 8. Setting into the Board
  • The prepared hair is set onto a hinoki (Japanese cypress) board in an even thickness.
  • Once set, both sides of the hair are secured with cherry bark.
Brush making: binding 9. Binding
  • The brush is clamped in a binding press and bound together with silk thread.
Brush making: finishing 10. Finishing
  • The bound brush board is polished with a small knife and sandpaper for ease of use.
  • Finally, the tip of the brush is trimmed and adjusted.
Finished paste brush Finished
  • The brush is complete.

Back to top.

Home About Us History of Hake Brushes Manufacturing Process Mounting Brushes Painting & Restoration Brushes Contact